February 8 – 12, 2016

Monday, February 8

Aural Proficiency

  • Arpeggio Song in A major and A minor – sing and analyze intervals and groups of 3 and 4 intervals
  • Page 32 – all
  • “More Sight Singing” #15 – #20
  • Handout for Dictation- Page 246 & 247: #7 – #9;  Page 343 #5 and #6
  • Aural Prof Assignment #31 – preview all

 

Homework due Tomorrow, Feb 9 

Aural Prof # 30

Benward Assignment 10.6 and 10.9

 



Tuesday, February 9

Turn in –  

Benward Assignment 10.6 and 10.9

Benward Chapter 11 – The Dominant Seventh Chord

  • Construction
  • Inversions
  • Roman Numeral Analysis – Root Position and Inversions – 765-4342
  • Macro Analysis
  • Resolution in Circle and Non-circle Progressions
  • Assignment 11.4 and 11.5 Instructions

 

Homework due Tuesday, Feb 16:

Aural Prof # 31

Benward Assignment 11.4 and 11.5

Sight Singing Assignment – “Strategies for Sight Singing” P. 507 #9

 



Wednesday, February 10

Aural Proficiency

  • REVIEW and analyze AP Assignment 30
  • Arpeggio Song in A major and A minor – sing and analyze intervals and groups of 3 and 4 intervals
  • Page 45 – all
  • “More Sight Singing” #21-#24
  • “Strategies for Sight Singing” Instructions, #8 and #9 in AP test format: 75 seconds to learn each, then we’ll sing it
  • Handout for Dictation- Page 246 #10 – #12; Page 343 #7 and #8
  • Aural Prof Assignment #31 – preview all

 

Homework due Tuesday, Feb 16:

Aural Prof # 31

Benward Assignment 11.4 and 11.5

Sight Singing Assignment – “Strategies for Sight Singing” P. 507 #10

 



Thursday, February 11

Aural Proficiency

  • Page 50 Melodic Dictation
  • Page 56 Harmonic Dictation
  • Page 68 and 69 Harmonic Dictation

 

Homework due Tuesday, Feb 16:

Aural Prof # 31

Benward Assignment 11.4 and 11.5

Sight Singing Assignment – “Strategies for Sight Singing” P. 507 #9

 



Friday, February 12

Benward Chapter 11

  • Assignments 11.8 and 11.9

 

Homework due Tuesday, Feb 16:

Aural Prof # 31

Benward Assignment 11.4 and 11.5

Sight Singing Assignment – “Strategies for Sight Singing” P. 507 #9