2017 Final Exam Review



The Final is multiple choicevery  similar to other computer-based multiple choice tests we’ve taken.

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http://www.quia.com/quiz/4762871.html

Be able to identify these by sight, and sometimes by sound:

Intervals

Cadences

  • PAC
  • IAC
  • Plagal
  • Half
  • Phrygian Half
  • Deceptive

 

Nonharmonic tones

  • Appoggiatura
  • Escape tone
  • Neighbor tones
  • Passing tones
  • Suspensions – 4-3, 9-8, 7-6, 2-3
  • Anticipations

 

Textures

  • Monophonic
  • Homophonic
  • Polyphonic
  • Heterophonic

 

Chords

  • Types of triads
  • Types of seventh chords
  • Identify the four types of second inversion triads
  • Identify root, first and second inversions for triads
  • Identify root, first, second and third inversions for seventh chords

 

Chord Progressions

  • Roman numeral analysis
  • Circle Progression
  • Roots a second apart
  • Roots a third apart

 

Stylistic Practices and voice leading: error identification

  • Ranges
  • Spacing
  • Doublings
  • Parallel P5 and P8
  • Resolutions of tendency tones

 

Scales and Key Signatures

  • Major
  • Minor
  • Relative and parallel major and minor
  • Whole tone
  • Pentatonic
  • Scale Degree  Names
  • IMPLIED Keys in a section of music when DIFFERENT from the key signature

 

Divisions of the beat

  • Simple Meter
  • Compound Meter

 

Form – Small and Large

  • Phrases: parallel and contrasting
  • Periods: parallel, contrasting, repeated, double
  • Binary
  • Rounded Binary
  • Ternary
  • AABA Song Form